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Perhaps the least surprising thing about their thirteenth album is the lack of surprises. Urge For Offal does not represent a new or even vaguely modified HMHB. Nor are there any unexpected turns or diversions of musical style. [. . . ] Musically, things continue where 2011’s 90 Bisodol (Crimond) left us. It is fundamentally rocky and occasionally loud, with prominent bass aplenty. There are almost all of the elements you would expect to find in a HMHB album. Various football references, the odd improbably surreal yarn, and some mentions of cycling, too. [. . . ] Though Urge For Offal may feel a bit like Half Man Half Biscuit by-numbers, it acts as a reminder of what they represent. And that is something that [sic] be celebrated, albeit quietly.